关键词

工作,社会框架,流行,社会网,音乐家

摘要

最近几年,MySpace为音乐独立制作人及其粉丝提供了一个很好的传播和交流的平台。Myspace已经建立社会框架使音乐人在此空间建立更快更有效的联系。这些框架下所产生的灵感已经出书为音乐家提供意见和建议。当然有些框架是为了让人们了解MySpace的技术内容,有些是教授大家用特殊的方法通过MySpace与互联网连接。当然这些工作都是很认真严肃的,需要很多时间和能力来取得一定的成绩,也就是增加好友数量。因此,这篇文章分析MySpace的社会框架,引用一些专家建议,使音乐家们可以获得一些实践性的收获,使其可以模式化并供以后使用。最后,分析了MySpace的变革,如何成为现实生活中大众化的交流平台。

参考资料

Ayers, M.D. (2009). Lily Allen Welcomes New Album at Myspace Show. Billboard. (www.billboard.com/bbcom/news/lily-allen-welcomes-new-album-at-myspace-1003940436.story) (01-02-09).

Link Google Scholar

Banks, J. & Humphreys, S. (2008). The Labour of User Co-creators: Emergent Social Network Markets? Convergence: The International Journal of Research into New Media Technologies, 1 4; 401-418.

Link DOI | Link Google Scholar

Bruno, A. (2009). Trent Reznor Quits Social Networking. Billboard. (www.billboard.com/news#/news/trent-reznor-quits-social-networking-1003983835.story) (07-18-09).

Link Google Scholar

Concepcion, M. (2008). Exclusive: Millian Signs with Myspace Records. Billboard. (www.billboard.com/bbcom/esearch/article_display.jsp?vnu_content_id=1003852976) (05-10-09).

Link Google Scholar

Contactmusic (2007). James blunt-warner’ to sell Blunt album on Myspace. (www.contactmusic.com/news.nsf/article/warner%20to%20sell%20blunt%20album%20on%20myspace_1044023) (05-11-09).

Link Google Scholar

Gill, R. & Pratt, A. (2008). In the Social Factory? Immaterial Labour, Preciarious Cultural Work. Theory, Culture & Society, 25; 1-30.

Link DOI | Link Google Scholar

Gitelman, L. (2006). Always already New: Media, History and the Data of Culture. Cambridge: MIT press.

Link Google Scholar

Hardt M. & Negri, A. (2000). Empire. Cambridge, Mass: Harvard University Press.

Link Google Scholar

Hesmondhalgh, D. & Baker, S. (2008). Creative Work and Emotional Labour in the Television Industry. Theory, Culture & Society, 25; 97-118.

Link DOI | Link Google Scholar

Jag, N. (2008). Myspace Marketing: the Promotional Revolution the 2nd edition. Charleston: Booksurge.

Link Google Scholar

Jenkins, H. (2006). Introduction. «Worship at the Altar of Convergence»: A New Paradigm for Understanding Media Change. Convergence culture. New York & London: New York University Press; 1-24.

Link Google Scholar

Kalliongis, N. (2008). Myspace Music Profit Monster!: Proven On-line Marketing Strategies! New York: MTV press.

Link Google Scholar

Lazzarato, M. (1996). Immaterial Labor. (www.generation-online.org/c/fcimmateriallabour3.htm) (07-02-09).

Link Google Scholar

Nakashima, R. (2009). Myspace Layoffs: Slashing Workforce 30 %. Huffingtonpost. (www.huffingtonpost.com/2009/06/16/myspace-layoffs-slashing-_n_216330.html) (07-01-09).

Link Google Scholar

Riely, D. (2007). Rumors of the decline of myspace are exaggerated. TechCruch. (www.techcrunch.com/2007/06/20/rumors-of-the-decline-of-myspace-are-exaggerated/) (05-12-09).

Link Google Scholar

Self, W. (2009). Colbie Caillat’s insight into her Myspace success. CMT news. (www.cmt.com/news/country-music/1606830/colbie-caillats-insight-into-her-myspace-success.jhtml) (06-30-09).

Link Google Scholar

Smith, D. (2009). Myspace shrinks as Facebook, Twitter and Bebo grabs its user. (www.guardian.co.uk/technology/2009/mar/29/myspace-facebook-bebo-twitter) (06-30-09).

Link Google Scholar

Suhr, H.C. (2008). The Role of Intermediaries in the Consecration of Arts on Myspace.com. International Journal of Media and Cultural Politics, 4; 259-263.

Link DOI | Link Google Scholar

Suhr, H.C. (2009). Understanding the Paradoxes in the Artistic Fields of Myspace: The Problematization of Values and Popularity in Convergence Culture. New Media and Society, 11;179-198.

Link DOI | Link Google Scholar

Thompson, P. (2005). Foundation and Empire: A Critique on Hardt and Negri. Capital and Class, 86; 73-98.

Link DOI | Link Google Scholar

Vincent, F. (2007). Myspace for Musicians. Boston: Course Technology PTR

Link Google Scholar

Weber, S. (2007). Plug Your Business! Marketing on Myspace, Youtube, Blogs, Podcasts and other 2.0. Social Network. Weberbooks (on-line publisher, city unknown).

Link Google Scholar

Fundref

这项工作没有任何财政支持

Crossmark

技术信息

度量

这篇文章的度量

浏览次数: 27224

对摘要的解读: 21186

PDF下载: 6038

的全部指标 34

浏览次数: 1074512

对摘要的解读: 674711

PDF下载: 399801

被引用

引述 Web of Science

Suhr, HC. Evaluation and Credentialing in Digital Music Communities: Benefits and Challenges for Learning and Assessment John D and Catherine T MacArthur Foundation Reports on Digital Media and Learning, 2014.

Link Google Scholar

Suhr, Hiesun Cecilia. Unpacking the Shifting Landscape of Music Evaluation in Indaba Music Contests Routledge Studies in New Media and Cyberculture, 2015.

Link Google Scholar

引述 Scopus

Espuny Vidal, C., González Martínez, J., Lleixà Fortuño, M., Gisbert Cervera, M.. University students' attitudes towards, expectations of the educational use of social networks), Revista de Universidad y Sociedad del Conocimiento, .

https://doi.org/10.7238/rusc.v8i1.839

Suhr, H.C.. Unpacking the shifting landscape of music evaluation in Indaba music contests), Online Evaluation of Creativity, the Arts, .

https://doi.org/10.4324/9781315795836

引述 Google Scholar

目前没有引用这个文件

下载

替代指标

如何引用

Suhr, H. (2010). Understanding the emergence of social protocols on MySpace: Impact and its ramifications. [Comprendiendo la aparición de los protocolos sociales en MySpace: Impacto y ramificaciones]. Comunicar, 34, 45-53. https://doi.org/10.3916/C34-2010-02-04

分享

           

Oxbridge Publishing House

4 White House Way

B91 1SE Sollihul United Kingdom

行政管理

编辑部

Creative Commons

本网站使用cookies来获取用户导航的统计数据。如果您继续浏览,我们认为您接受其使用。 +info X