关键词

电影,超现实主义,历史先锋,形式主义,电影文明,科技

摘要

这篇文章说明了历史先锋者们在电影对话创作中的所起到的重要作用。这个角色对于电影作为艺术这项认识和对话中视觉内容的替换(20年代到40年代好莱坞电影内容)是必不可少的。为了理解艺术活动在艺术范例创作中的作用,有必要了解它的主要的新的观看形势和解读世界的方式。一个真正的电影文明的兴起需要一个对于19世纪更深层次的眼光,才有可能真正了解鲁曼兄弟的创作。总之,这篇文章试图强调电影不仅仅生活在它自己描述的那个年代,是为了整个20世纪的艺术作品。

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被引用

引述 Web of Science

Reia-Baptista, Vitor. Film Literacy: Media Appropriations with Examples from the European Film Context COMUNICAR, 2012.

https://doi.org/10.3916/C39-2012-02-08

Tello Diaz, Lucia. Transtextuality and metafiction in fake documentaries: self-referential discourse in The Unmaking of COMMUNICATION & SOCIETY-SPAIN, 2014.

https://doi.org/10.15581/003.27.4.113-129

引述 Scopus

Reia-Baptista, V.. Film literacy: Media appropriations with examples from the european film context), Comunicar, .

https://doi.org/10.3916/C39-2012-02-08

Díaz, L.T.. Transtextuality, metafiction in fake documentaries: Self-Referential discourse in The Unmaking of), Communication and Society, .

https://doi.org/10.15581/003.27.4.113-129

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Nogueira-Tavares, M. (2010). Understanding cinema: The avant-gardes and the construction of film discourse. [Comprender el cine: Las vanguardias y la construcción del texto fílmico]. Comunicar, 35, 43-51. https://doi.org/10.3916/C35-2010-02-04

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