关键词
电视,脚本,美学,娱乐,身份,居民,新媒体,敏感
摘要
工业和传统的电视就像一段过去的旅程,缺乏感受,无聊对话,缺乏创新和思考,以及可怜的对于娱乐的理解。大都市的电视银屏时代已经结束,现在每一个观众都可以成为创作者,视觉讲述者以及拥有自己的银屏。这样就可以出现讲述不同内容的电视节目:一个更加客观地新闻,超现实主义的电视剧,打破模式和政治统一的媒体。这篇文章说了电视作为传播个人想法,创新型的视听模式。同时也指出了电视内容美学的渴望,更加个性化,更加互动的节目内容,因为观众更喜欢观看自己想要的节目。
参考资料
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Prieto, G. (2008). ¿Periodismo crítico o populista? El Mundo según Pirry. Arcadia, 32, Bogotá (www.revistaarcadia.com/periodismo-cultural--revista-arcadia/articulo/periodismo-critico-populista/21146) (15-09-2010).
Rincón, O. (2002). Televisión, vídeo y subjetividad. Buenos Aires: Norma.
Rodríguez, C. (2008). Lo que le vamos quitando a la guerra [medios ciudadanos en contextos de conflicto armado en Colombia]. Bogotá: C3 Fundación Friedrich Ebert, (www.c3fes.net/docs/quitandoalaguerra.pdf) (09-09-2010).
Series referidas: «Los soprano», «Six feet under», «Lost, 24», «Ally Mc Beal», «South Park», «The Big Band Theory».
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Rincón, O. (2011). New television narratives: Entertainment, telling, citizenship, experimental. [Nuevas narrativas televisivas: Relajar, entretener, contar, ciudadanizar, experimentar]. Comunicar, 36, 43-50. https://doi.org/10.3916/C36-2011-02-04