Keywords
Abstract
References
ARNHEIM, R. (1971): Film as Art. Los Ángeles, Universidad de California.
BAZIN, A. (1989): 0 Cinema da Crueldade. Sao Paulo, Martins Fontes Editora.
COLINA y TURRENT (1986): Luis Buñuel, prohibido asomarse al interior. México, Joaquín Mortiz.
EISENSTEIN, S. (1974): Perspectivas, in da Revoluçao a Arte, da Arte a Revoluçao. Lisboa, Presença.
FURHAMMAR y ISAKSSON (1968): Politk och Film. Stockholm, Pan/Norstedts.
HAMMOND, P. (1978): The Shadow and its Shadow. London, British Film Institute.
KOULESHOV, L. (1974): Kuleshov on Film. Los Ángeles, Universidad de California.
KRACAUER, S. (1974): From Caligari to Hitler. Princeton, New Jersey, Princeton University.
LEISER, E. (1975): Nazi Cinema. New York, Macmillan Publishing.
MEDVEKIN, A. (1973), El cine como propaganda política. Madrid, Siglo XXI Editores.
PASOLINI, P. (1982): Empirismo hereje. Lisboa, Assírio & Alvim.
REIA-BAPTISTA, V. (1987): The Heretical Pedagogy of Luis Buñuel. Lund, Lunds University.
WAKEFIELD y EVANS (1969): Heresies of the High Middle Ages. New York, Columbia University.
Fundref
This work has no financial support
Technical information
Metrics
Metrics of this article
Views: 45144
Abstract readings: 39205
PDF downloads: 5939
Full metrics of Comunicar 4
Views: 1290261
Abstract readings: 1119492
PDF downloads: 170769
Cited by

Cites in Web of Science
Currently there are no citations to this document

Cites in Scopus
Currently there are no citations to this document

Cites in Google Scholar
Currently there are no citations to this document
Alternative metrics
How to cite
Reia-Baptista, V. (1995). El lenguaje cinematográfico en la pedagogía de la comunicación. Comunicar, 4, 106-110. https://doi.org/10.3916/C04-1995-22