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Any audiovisual message is the result of the characteristic conventions of the audiovisual narrative. Its logic has a very well-known history, characteristic of the comic or the theatre photograph. For the author of this paper, the best way of facing an audio-visual production, understanding it and interpreting it is to approach the formal narra -tive of every party. With this purpose, the author proposes the analysis of the film The tongue of butterflies (1999), produced by J. Luis Cuerda, wich contains a script with a complex origin, synthesis or summary of works that initialy were not conceived to be shown by images.