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Popular literature, bestseller lists, conspiracy, cultural studies
BLAKE, A. (2002): The irresistible rise of Harry Potter. Londres, Verso. (La irresistible ascensión de Harry Potter. Madrid, Edaf, 2005).
BLOOM, H. (2000): «Can 35 million buyers be wrong? Yes», en Wall Street Journal; 11 julio; 26.
BRAYFIELD, C. (1996): Bestseller. Secrets of successful writing. London, Fourth State.
BROWN, D. (2003): The da Vinci Code. London, Corgy Books. (El código da Vinci. Barcelona, Urano).
BROWNE, R.B. (1996): «Internationalizing popular culture», en The Journal of Popular Culture 30; 47-89.
BYATT, A.S. (2003): «Harry Potter and the childish adult», en New York Times, 11 julio; 13.
CARROLL, N. (1998): A philosophy of mass art. Oxford, O.U.P.
CAWELTI, J.G. (1969): «The concept of formula in the study of popular literature», en Journal of Popular Culture, 3; 381-390.
COLE, S. (2005): Paradigms of Paranoia. The culture of conspiracy in contemporary American fiction. Tuscaloosa, The University of Alabama Press.
HARRINGTON, C.L & BIELBY, D.D. (2001): «Constructing the popular: cultural production and consumption», en HARRINGTON & BIELBY (Eds.): Popular culture. Production & consumption. Oxford, Blackwells; 1-15.
HENDER, P. (2003): «A crowd pleaser but no classic», en The Spectator, 30; 12 julio.
INTROVIGNE, M. (2005): Los Illuminati y el Priorato de Sión. Madrid, Rialp.
NEL, P. (2005): «Is there a text in this advertising campaign? Literature, marketing, and Harry Potter», en The Lion and the Unicorn, 29; 236-67.