Volume index - Journal index - Article index - Map ---- Back
Feminism, Me Too, Time’s Up, archetype, stereotypes, TV serials
Bayne, C.N. (2018). #Nolitetebastardescarborundorum: Self-publishing, hashtag activism, and feminist resistance, communication. Culture and Critique, 11(1), 201-205. https://doi.org/10.1093/ccc/tcx016
Belmonte-Arocha, J., & Guillamón-Carrasco, S. (2008). Co-educating the gaze against gender stereotypes in TV. [Co-educar la mirada contra los estereotipos de género en TV]. Comunicar, 31, 115-120. https://doi.org/10.3916/c31-2008-01-014
Benson-Allott, C. (2020). How i may destroy you reinvents rape television. Film Quarterly, 74(2), 100-105. https://doi.org/10.1525/fq.2020.74.2.100
Bercuci, L. (2016). Pop feminism: Televised superheroines from the 1990s to the 2010s. Gender Studies, 15(1), 252-269. https://doi.org/10.1515/genst-2017-0017
Berridge, S., & Portwood-Stacer, L. (2015). Introduction: Feminism, Hashtags and violence against women and girls. Feminist Media Studies, 15(2), 341. https://doi.org/10.1080/14680777.2015.1008743
Bucciferro, C. (2019). Women and Netflix: Disrupting traditional boundaries between television and film. Feminist Media Studies, 19(7), 1053-1056. https://doi.org/10.1080/14680777.2019.1667076
Budzinski, O., Gänßle, S., & Lindstädt, N. (2020). The battle of YouTube, TV and Netflix-an empirical analysis of competition in audio-visual media markets. https://doi.org/10.2139/ssrn.3569553
Carling, S. (2018, February 26). If you're mad as hell at the patriarchy, this new show is the release you need. Bustle http://bit.ly/3rH7Xwg
Carlsten, J. (2020). Feeling unbreakable. In G. Monteverde, & V. McCollum (Eds.), Resist!: Protest media and popular culture in the Brexit-Trump era (pp. 87-101). Rowman & Littlefield Publishers.
CBS (Ed.) (2017, January 17). More than 12M ‘MeToo’ Facebook posts, comments, reactions in 24 hours. CBS News. http://cbsn.ws/3kh7ZaR
Chandra, G., & Erlingsdóttir, I. (2020). The routledge handbook of the politics of the #metoo movement. Routledge. https://doi.org/10.4324/9780367809263
Crenshaw, K. (1991). Mapping the margins: Intersectionality, identity politics, and violence against women of color. Stanford Law Review, 43(6), 1241-1299. https://doi.org/10.2307/1229039
Desta, Y. (2018, January 2). Time’s Up: How a Hollywood initiative is tackling sexual predators. Vanity Fair. http://bit.ly/2WP4YTZ
Enck, S.M., & Morrissey, M.E. (2015). If Orange Is the New Black, I must be color blind: Comic framings of post-racism in the prison-industrial complex. Critical Studies in Media Communication, 32(5), 303-317. https://doi.org/10.1080/15295036.2015.1086489
Enns, C.Z. (1994). Archetypes and gender: Goddesses, warriors, and psychological health. Journal of Counseling & Development, 73(2), 127-133. https://doi.org/10.1002/j.1556-6676.1994.tb01724.x
Faber, M.A., & Mayer, J.D. (2009). Resonance to archetypes in media: There’s some accounting for taste. Journal of research in personality, 43(3), 307-322. https://doi.org/10.1016/j.jrp.2008.11.003
Fileborn, B., & Loney-Howes, R. (2019). #MeToo and the politics of social change. Palgrave McMillian. https://doi.org/10.1007/978-3-030-15213-0
Franks, M.A. (2019). A thousand and one stories: Myth and the #MeToo movement. In B. Fileborn, & R. Loney-Howes (Eds.), #MeToo and the politics of social change (pp. 85-95). Palgrave McMillian. https://doi.org/10.1007/978-3-030-15213-0_6
García-Muñoz, N., & Fedele, M. (2011). The teen series and the young target: Gender stereotypes in television fiction targeted to teenagers. Observatorio, 5(1), 215-226. http://bit.ly/37WnPmy
Henesy, M. (2020). Leaving my girlhood behind: Woke witches and feminist liminality in Chilling Adventures of Sabrina. Feminist Media Studies. https://doi.org/10.1080/14680777.2020.1791929
Hunt, D., & Ramón, A.C. (2019). Hollywood diversity report 2020. Television. UCLA. https://bit.ly/3kqBHKr
Jung, C.G. (1968). The archetypes and the collective unconscious. Princeton University Press.
Khomani, N. (2017, October 20). #MeToo: how a hashtag became a rallying cry against sexual harassment. The Guardian. http://bit.ly/3aNrcOq
Kidd, M.A. (2016). Archetypes, stereotypes and media representation in a multi-cultural society. Procedia-Social and Behavioral Sciences, 236, 25-28. https://doi.org/10.1016/j.sbspro.2016.12.007
Kunst, J.R., Bailey, A., Prendergast, C., & Gundersen, A. (2019). Sexism, rape myths and feminist identification explain gender differences in attitudes toward the #metoo social media campaign in two countries. Media Psychology, 22(5), 818-843. https://doi.org/10.1080/15213269.2018.1532300
Lotz, A.D. (2001). Postfeminist television criticism: Rehabilitating critical terms and identifying postfeminist attributes. Feminist Media Studies, 1(1), 105-121. https://doi.org/10.1080/14680770120042891
Lotz, A.D. (2006). Redesigning women: Television after the network era. University of Illinois Press. https://bit.ly/3bhZZTQ
Martínez-García, A. (2020). The Handmaid's Tale (2017) or Hulu's major investment in great storytelling. In V. Hernández-Santaolalla, & M. Barrientos-Bueno (Eds.), Handbook of research on transmedia storytelling, audience engagement, and business strategies (pp. 43-55). IGI Global. https://doi.org/10.4018/978-1-7998-3119-8.ch004
Menon, S. (2020, November 1). Netflix’s ‘The Queen’s Gambit’ checkmates gender tropes. FII. http://bit.ly/3hwQ6U8
Miller, T. (2010). Television studies: The basics. Routledge. https://doi.org/10.4324/9780203854198
PettyJohn, M.E., Muzzey, F.K., Maas, M.K., & McCauley, H.L. (2019). #HowIWillChange: Engaging men and boys in the #MeToo movement. Psychology of Men & Masculinities, 20(4), 612-622. https://doi.org/10.1037/men0000186
Signorielli, N. (2009). Minorities representation in prime time: 2000 to 2008. Communication Research Reports, 26(4), 323-336. https://doi.org/10.1080/08824090903293619
Smith, S.L., Choueiti, M., Pieper, K., Case, A., & Choi, A. (2019). Inequality in 1,100 popular films: Examining portrayals of gender, race/ethnicity, LGBT & disability from 2007 to 2017. USC Annenberg. Annenberg Foundation. https://bit.ly/3aLa249
Sobande, F. (2019). How to get away with authenticity: Viola Davis and the intersections of Blackness, naturalness, femininity and relatability. Celebrity Studies, 10(3), 396-410. https://doi.org/10.1080/19392397.2019.1630154
Solomon, H.E., & Kurtz-Costes, B. (2018). Media’s influence on perceptions of trans women. Sexuality Research and Social Policy, 15(1), 34-47. https://doi.org/10.1007/s13178-017-0280-2
Szymanowicz, A., & Furnham, A. (2011). Do intelligent women stay single? Cultural stereotypes concerning the intellectual abilities of men and women. Journal of Gender Studies, 20(1), 43-54. https://doi.org/10.1080/09589236.2011.542019
The New York Times (Ed.) (2018, January 1). Open letter from Time's Up. The New York Times. http://nyti.ms/3o8tbAE
Vernon, J.A., Williams-Jr, J.A., Phillips, T., & Wilson, J. (1991). Media stereotyping: A comparison of the way elderly women and men are portrayed on prime-time television. Journal of Women & Aging, 2(4), 55-68. https://doi.org/10.1300/J074v02n04_05
Ward, L.M., & Grower, P. (2020). Media and the development of gender role stereotypes. Annual Review of Developmental Psychology, 2, 177-199. https://doi.org/10.1146/annurev-devpsych-051120-010630
West, C.M. (1995). Mammy, Sapphire, and Jezebel: Historical images of Black women and their implications for psychotherapy. Psychotherapy: Theory, Research, Practice, Training, 32(3), 458-466. https://doi.org/10.1037/0033-3204.32.3.458
Zaptsi, A., & Garrido, R. (2021). Análisis psicosocial del empoderamiento feminista en el ámbito audiovisual: Propuesta de un instrumento para evaluar la equidad de género. In J. Puig (Eds.), Nuevos análisis y propuestas educativas sobre género y diversidad sexual. Dykinson.
Özkan, D., & Hardt, D. (2020). The strong female lead: Postfeminist representation of women and femininity in Netflix shows. In D. Sezen, F. Çiçeko?lu, A. Tunç, & E. Thwaites Diken (Eds.), Female agencies and subjectivities in film and television (pp. 165-187). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-56100-0_10