Cinematographic analysis of «La dolce vita»: the twelve heresies
Keywords:
Cinema, cinematographic analysis, values, interpretation keys, ethic, music, aestheticAbstract
The author analyses how Federico Fellini represents in «La dolce vita» the social, cultural, sexual and politic characteristics of a generation who has grown up in a strict latin and catholic context. Ethic, aesthetic and cinematographic keys of this film.
Downloads
Published
2002-10-01