Cinematographic analysis of «La dolce vita»: the twelve heresies

Authors

Keywords:

Cinema, cinematographic analysis, values, interpretation keys, ethic, music, aesthetic

Abstract

The author analyses how Federico Fellini represents in «La dolce vita» the social, cultural, sexual and politic characteristics of a generation who has grown up in a strict latin and catholic context. Ethic, aesthetic and cinematographic keys of this film.

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Published

2002-10-01

How to Cite

Reia, V. (2002). Cinematographic analysis of «La dolce vita»: the twelve heresies. Comunicar, 10(19), 156–161. Retrieved from https://www.revistacomunicar.com/ojs/index.php/comunicar/article/view/C19-2002-27

Issue

Vol. 10 No. 19 (2002): Communication and Popularization of Science

Section

Kaleidoscope (Miscellaneous)