关键词

声音,口头交流,音乐,背景声音,修辞,语言学,语言,音乐学

摘要

很明显现在缺少关于声音作为媒体形式,模式经验,文化传播和社会交流的研究。但是在大部分的沟通和媒体交流中,甚至是日常生活面对面的交流中,声音都起到了重要的作用。最近几年我们观察到国际交流协会开始了对这方面的关注。这篇文章主要是对三种类型的声音进行关注:说话的声音,音乐,背景声音。一直以来由于概念的不同,把声音分为:修辞,语言学,语言,古典音学,流行乐研究,建筑,对话分析等。这篇文章主要研究在表演中声音作为交流形式,语意的载体,行动的内容所起到的作用。现实生活中,媒体的使用者不仅有能力接受信息,还可以通过各种方式来传播声音。无处不在的背景声音挑战了传统。最后文章指出对于声音研究的新的趋势,让媒体环境重新定位,并说明现在声音已经成为了一种时尚。

参考资料

Albrecht, R. (2004). Mediating the Muse: A Communications Approach to Media, Music, and Cultural Change. Creskill, NJ: Hampton Press.

Link Google Scholar

Anderson, B. (1991). Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso.

Link Google Scholar

Appadurai, A. (1996). Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press.

Link Google Scholar

Barnes, S.H. (1988). Muzak. The Hidden Messages in Music: A Social Psychology of Culture. Lewiston, NY: The Edwin Mellen Press.

Link Google Scholar

Boden, M. (Ed.). (1996). Artificial Intelligence. San Diego, CA: Academic Press.

Link Google Scholar

Born, G. (1995). Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde. Berkeley, CA: University of California Press.

Link Google Scholar

Bourdieu, P. (1984). Distinction. Cambridge, MA: Harvard University Press.

Link Google Scholar

Bull, M. & Back, L. (Eds.). (2003). The Auditory Culture Reader. Oxford: Berg.

Link Google Scholar

Bull, M. (2000). Sounding Out the City: Personal Stereos and the Management of Everyday Life. Oxford: Berg.

Link Google Scholar

Cerquiglini, B. (1999). In Praise of the Variant: A Critical History of Philology. London: The Johns Hopkins University Press.

Link Google Scholar

Chomsky, N. (1965). Aspects of the Theory of Syntax. Cambridge, MA: MIT Press.

Link Google Scholar

Clarke, D.S. (1990). Sources of Semiotic. Carbondale, IL: Southern Illinois University Press.

Link Google Scholar

Clayton, M.; Herbert, T. & Middleton, R. (Eds.). (2003). The Cultural Study of Music: A Critical Introduction. London: Routledge.

Link Google Scholar

Cook, N. & Everist, M. (Eds.). (1999). Rethinking Music. Oxford: Oxford University Press.

Link Google Scholar

Corbin, A. (1998). Village Bells: Sound and Meaning in the 19th-Century French Countryside. New York: Columbia University Press.

Link Google Scholar

Erlmann, V. (Ed.). (2004). Hearing Cultures: Essays on Sound, Listening, and Modernity. Oxford: Berg.

Link Google Scholar

Finnegan, R. (1989). The Hidden Musicians: Music-Making in an English Town. Cambridge: Cambridge University Press.

Link Google Scholar

Frith, S. & Goodwin, A. (Eds.). (1990). On Record. London and New York: Routledge.

Link Google Scholar

Frith, S. (1996). Performing Rites: On the Value of Popular Music. Oxford: Oxford University Press.

Link Google Scholar

Gay, P.d.; Hall, S.; Janes, L.; Mackay, H. & Negus, K. (1997). Doing Cultural Studies: The Story of the Sony Walkman. London: Sage.

Link Google Scholar

Gena, P. & Strom, C. (2001). A Physiological Approach to DNA Music. 4th Computers in Art and Design Education Conference, Glasgow.

Link Google Scholar

Greenfield, A. (2006). Everyware: The Dawning Age of Ubiquitous Computing. Indianapolis, in New Riders.

Link Google Scholar

Halliday, M.A.K.; Teuberg, W.; Yallop, C. & Cermakova, A. (2004). Lexicology and Corpus Linguistics: An Introduction. London: Continuum.

Link Google Scholar

Havelock, E.A. (1963). Preface to Plato. Oxford: Blackwell.

Link Google Scholar

Humphreys, L. (2005). Cellphones in Public: Social Interactions in a Wireless Era. New Media & Society, 7(6); 810-833.

Link DOI | Link Google Scholar

James, J. (1995). The Music of the Spheres: Music, Science, and the Natural Order of the Universe. London: Abacus.

Link Google Scholar

Jensen, K.B. (2002). The Humanities in Media and Communication Research, in Jensen, K. (Ed.). A Handbook of Media and Communication Research: Qualitative and Quantitative Methodologies. London: Routledge.

Link DOI | Link Google Scholar

Johnson, J.H. (1995). Listening in Paris: A Cultural History. Berkeley, CA: University of California Press.

Link Google Scholar

Keil, C. (1966). Urban Blues. Chicago: Chicago University Press.

Link Google Scholar

Kennedy, G.A. (1980). Classical Rhetoric and Its Christian and Secular Tradition from Ancient to Modern Times. Chapel Hill, NC: University of North Carolina Press.

Link Google Scholar

Kerman, J. (1985). Contemplating Music: Challenges to Musicology. Cambridge, MA: Harvard University Press.

Link Google Scholar

Kramer, L. (2002). Musical Meaning: Toward a Critical History. Berkeley, CA: University of California Press.

Link Google Scholar

Labov, W. (1972). The Logic of Non-standard English. In Giglioli, P. (Ed.). Language and Social Context. Harmondsworth, UK: Penguin. (Orig. publ. 1969).

Link Google Scholar

Lanza, J. (1994). Elevator Music: A Surreal History of Muzak, Easy-Listening, and Other Mood-Song. New York: Picador.

Link Google Scholar

Leppert, R. (1993). The Sight of Sound: Music, Representation, and the History of the Body. Berkeley, CA: University of California Press.

Link Google Scholar

Levy, M. (1993). Symposium: Virtual Reality: A Communication Perspective. Journal of Communication, 43(4).

Link Google Scholar

Ling, R. (2004). The Mobile Connection: The Cell Phone's Impact on Society. Amsterdam: Elsevier.

Link Google Scholar

McClary, S. (1991). Feminine Endings: Music, Gender, and Sexuality. Minneapolis, MI: University of Minnesota Press.

Link Google Scholar

McLuhan, M. (1964). Understanding Media: The Extensions of Man. New York: McGraw-Hill.

Link Google Scholar

Meyrowitz, J. (1985). No Sense of Place: The Impact of Electronic Media on Social Behavior. New York: Oxford University Press.

Link Google Scholar

Meyrowitz, J. (1994). Medium Theory, in Crowley, D. & Mitchell, D. (Eds.). Communication Theory Today. Cambridge: Polity Press.

Link Google Scholar

Middleton, R. (1990). Studying Popular Music. Milton Keynes, UK: Open University Press.

Link Google Scholar

Middleton, R. (Ed.). (2002). Reading Pop: Approaches to Textual Analysis in Popular Music. Oxford: Oxford University Press.

Link Google Scholar

Millard, A. (1995). America on Record: A History of Recorded Sound. Cambridge: Cambridge University Press.

Link Google Scholar

Nott, J.J. (2002). Music for the People: Popular Music and Dance in Interwar Britain. Oxford: Oxford University Press.

Link Google Scholar

Perelman, C. (1979). The New Rhetoric and the Humanities. Dordrecht, The Netherlands: Reidel.

Link Google Scholar

Peters, J.D. (1999). Speaking into the Air: A History of the Idea of Communication. Chicago: University of Chicago Press.

Link Google Scholar

Peterson, R.A. & Kern, R.M. (1996). Changing Highbrow Taste: From Snob to Omnivore. American Sociological Review, 61(5); 900-907.

Link DOI | Link Google Scholar

Postman, N. (1985). Amusing Ourselves to Death. New York: Viking.

Link Google Scholar

Potter, J. (1998). Vocal Authority: Singing Style and Ideology. Cambridge: Cambridge University Press.

Link DOI | Link Google Scholar

Rogers, E.M. (1999). Anatomy of Two Subdisciplines of Communication Study. Human Communication Research, 25(4); 618-631.

Link DOI | Link Google Scholar

Saussure, F.d. (1959). Course in General Linguistics. London: Peter Owen.

Link Google Scholar

Schafer, R.M. (1977). The Tuning of the World. New York: Alfred A. Knopf.

Link Google Scholar

Smith, M.M. (2001). Listening to Nineteenth-Century America. Chapel Hill, NC: University of North Carolina Press.

Link Google Scholar

Stacey, J. (1994). Star Gazing: Hollywood Cinema and Female Spectatorship. London: Routledge.

Link Google Scholar

Subotnik, R.R. (1991). Developing Variations: Style and Ideology in Western Music. Minneapolis: University of Minnesota Press.

Link Google Scholar

Tagg, P. (1979). Kojak. 50 Seconds of Television Music: Towards the Analysis of Affect in Popular Music. Gothenburg, Sweden: University of Gothenburg.

Link Google Scholar

Thompson, E. (2002). The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America. Cambridge, MA: MIT Press.

Link Google Scholar

Treitler, L. (Ed.). (1998). Strunk's Source Readings in Music History. New York: Norton.

Link Google Scholar

Watzlawick, P.; Beavin, J.H. & Jackson, D.D. (1967). Pragmatics of Human Communication: A Study of Interactional Patterns, Pathologies, and Paradoxes. New York: Norton.

Link Google Scholar

Weber, M. (1958). The Rational and Social Foundations of Music. New York: Southern Illinois University Press. (Orig. publ. 1921).

Link Google Scholar

Wetherell, M.; Taylor, S. & Yates, S. (Eds.). (2001). Discourse Theory and Practice: A Reader. London: Sage.

Link Google Scholar

Fundref

这项工作没有任何财政支持

Crossmark

技术信息

度量

这篇文章的度量

浏览次数: 22861

对摘要的解读: 15658

PDF下载: 7203

的全部指标 34

浏览次数: 702435

对摘要的解读: 455479

PDF下载: 246956

被引用

引述 Web of Science

Pueo, Basilio; Sanchez Cid, Manuel. SURROUND SOUND IN AN IMMERSIVE AUDIO-VISUAL ENVIRONMENTS Proposals in the educational field REVISTA ICONO 14-REVISTA CIENTIFICA DE COMUNICACION Y TECNOLOGIAS, 2011.

https://doi.org/10.7195/ri14.v9i2.40

Zhang, Bing; Zhang, Min; Ananos, Elena. Effectiveness of the Auditory and Visual effects of Chinese e-Magazine on the Graduate Students' Reading Process ANALISI-QUADERNS DE COMUNICACIO I CULTURA, 2016.

https://doi.org/10.7238/a.v0i54.2552

Olcina-Sempere, Gustau; Reis, Jorge Jose; Ferreira, Marco;. INTERCULTURAL EDUCATION: MUSIC AS AN INTRUMENT OF SOCIAL COHESION REVISTA DE EDUCACION INCLUSIVA , 2020.

Link Google Scholar

引述 Scopus

目前没有引用这个文件

引述 Google Scholar

目前没有引用这个文件

下载

替代指标

如何引用

Bruhn-Jensen, K. (2010). The sounds of media. An interdisciplinary review of research on sound as communication. [El sonido de los medios]. Comunicar, 34, 15-23. https://doi.org/10.3916/C34-2010-02-01

分享

           

邮政信箱 527

21080 韦尔瓦(西班牙)

行政管理

编辑部

Creative Commons

本网站使用cookies来获取用户导航的统计数据。如果您继续浏览,我们认为您接受其使用。 +info X