关键词
声音,口头交流,音乐,背景声音,修辞,语言学,语言,音乐学
摘要
很明显现在缺少关于声音作为媒体形式,模式经验,文化传播和社会交流的研究。但是在大部分的沟通和媒体交流中,甚至是日常生活面对面的交流中,声音都起到了重要的作用。最近几年我们观察到国际交流协会开始了对这方面的关注。这篇文章主要是对三种类型的声音进行关注:说话的声音,音乐,背景声音。一直以来由于概念的不同,把声音分为:修辞,语言学,语言,古典音学,流行乐研究,建筑,对话分析等。这篇文章主要研究在表演中声音作为交流形式,语意的载体,行动的内容所起到的作用。现实生活中,媒体的使用者不仅有能力接受信息,还可以通过各种方式来传播声音。无处不在的背景声音挑战了传统。最后文章指出对于声音研究的新的趋势,让媒体环境重新定位,并说明现在声音已经成为了一种时尚。
参考资料
Albrecht, R. (2004). Mediating the Muse: A Communications Approach to Media, Music, and Cultural Change. Creskill, NJ: Hampton Press.
Anderson, B. (1991). Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso.
Appadurai, A. (1996). Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press.
Barnes, S.H. (1988). Muzak. The Hidden Messages in Music: A Social Psychology of Culture. Lewiston, NY: The Edwin Mellen Press.
Boden, M. (Ed.). (1996). Artificial Intelligence. San Diego, CA: Academic Press.
Born, G. (1995). Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avantgarde. Berkeley, CA: University of California Press.
Bourdieu, P. (1984). Distinction. Cambridge, MA: Harvard University Press.
Bull, M. & Back, L. (Eds.). (2003). The Auditory Culture Reader. Oxford: Berg.
Bull, M. (2000). Sounding Out the City: Personal Stereos and the Management of Everyday Life. Oxford: Berg.
Cerquiglini, B. (1999). In Praise of the Variant: A Critical History of Philology. London: The Johns Hopkins University Press.
Chomsky, N. (1965). Aspects of the Theory of Syntax. Cambridge, MA: MIT Press.
Clarke, D.S. (1990). Sources of Semiotic. Carbondale, IL: Southern Illinois University Press.
Clayton, M.; Herbert, T. & Middleton, R. (Eds.). (2003). The Cultural Study of Music: A Critical Introduction. London: Routledge.
Cook, N. & Everist, M. (Eds.). (1999). Rethinking Music. Oxford: Oxford University Press.
Corbin, A. (1998). Village Bells: Sound and Meaning in the 19th-Century French Countryside. New York: Columbia University Press.
Erlmann, V. (Ed.). (2004). Hearing Cultures: Essays on Sound, Listening, and Modernity. Oxford: Berg.
Finnegan, R. (1989). The Hidden Musicians: Music-Making in an English Town. Cambridge: Cambridge University Press.
Frith, S. & Goodwin, A. (Eds.). (1990). On Record. London and New York: Routledge.
Frith, S. (1996). Performing Rites: On the Value of Popular Music. Oxford: Oxford University Press.
Gay, P.d.; Hall, S.; Janes, L.; Mackay, H. & Negus, K. (1997). Doing Cultural Studies: The Story of the Sony Walkman. London: Sage.
Gena, P. & Strom, C. (2001). A Physiological Approach to DNA Music. 4th Computers in Art and Design Education Conference, Glasgow.
Greenfield, A. (2006). Everyware: The Dawning Age of Ubiquitous Computing. Indianapolis, in New Riders.
Halliday, M.A.K.; Teuberg, W.; Yallop, C. & Cermakova, A. (2004). Lexicology and Corpus Linguistics: An Introduction. London: Continuum.
Havelock, E.A. (1963). Preface to Plato. Oxford: Blackwell.
Link DOI | Link Google Scholar
James, J. (1995). The Music of the Spheres: Music, Science, and the Natural Order of the Universe. London: Abacus.
Link DOI | Link Google Scholar
Johnson, J.H. (1995). Listening in Paris: A Cultural History. Berkeley, CA: University of California Press.
Keil, C. (1966). Urban Blues. Chicago: Chicago University Press.
Kennedy, G.A. (1980). Classical Rhetoric and Its Christian and Secular Tradition from Ancient to Modern Times. Chapel Hill, NC: University of North Carolina Press.
Kerman, J. (1985). Contemplating Music: Challenges to Musicology. Cambridge, MA: Harvard University Press.
Kramer, L. (2002). Musical Meaning: Toward a Critical History. Berkeley, CA: University of California Press.
Labov, W. (1972). The Logic of Non-standard English. In Giglioli, P. (Ed.). Language and Social Context. Harmondsworth, UK: Penguin. (Orig. publ. 1969).
Lanza, J. (1994). Elevator Music: A Surreal History of Muzak, Easy-Listening, and Other Mood-Song. New York: Picador.
Leppert, R. (1993). The Sight of Sound: Music, Representation, and the History of the Body. Berkeley, CA: University of California Press.
Levy, M. (1993). Symposium: Virtual Reality: A Communication Perspective. Journal of Communication, 43(4).
Ling, R. (2004). The Mobile Connection: The Cell Phone's Impact on Society. Amsterdam: Elsevier.
McClary, S. (1991). Feminine Endings: Music, Gender, and Sexuality. Minneapolis, MI: University of Minnesota Press.
McLuhan, M. (1964). Understanding Media: The Extensions of Man. New York: McGraw-Hill.
Meyrowitz, J. (1985). No Sense of Place: The Impact of Electronic Media on Social Behavior. New York: Oxford University Press.
Meyrowitz, J. (1994). Medium Theory, in Crowley, D. & Mitchell, D. (Eds.). Communication Theory Today. Cambridge: Polity Press.
Middleton, R. (1990). Studying Popular Music. Milton Keynes, UK: Open University Press.
Middleton, R. (Ed.). (2002). Reading Pop: Approaches to Textual Analysis in Popular Music. Oxford: Oxford University Press.
Millard, A. (1995). America on Record: A History of Recorded Sound. Cambridge: Cambridge University Press.
Nott, J.J. (2002). Music for the People: Popular Music and Dance in Interwar Britain. Oxford: Oxford University Press.
Perelman, C. (1979). The New Rhetoric and the Humanities. Dordrecht, The Netherlands: Reidel.
Peters, J.D. (1999). Speaking into the Air: A History of the Idea of Communication. Chicago: University of Chicago Press.
Link DOI | Link Google Scholar
Postman, N. (1985). Amusing Ourselves to Death. New York: Viking.
Link DOI | Link Google Scholar
Link DOI | Link Google Scholar
Saussure, F.d. (1959). Course in General Linguistics. London: Peter Owen.
Schafer, R.M. (1977). The Tuning of the World. New York: Alfred A. Knopf.
Smith, M.M. (2001). Listening to Nineteenth-Century America. Chapel Hill, NC: University of North Carolina Press.
Stacey, J. (1994). Star Gazing: Hollywood Cinema and Female Spectatorship. London: Routledge.
Subotnik, R.R. (1991). Developing Variations: Style and Ideology in Western Music. Minneapolis: University of Minnesota Press.
Tagg, P. (1979). Kojak. 50 Seconds of Television Music: Towards the Analysis of Affect in Popular Music. Gothenburg, Sweden: University of Gothenburg.
Thompson, E. (2002). The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America. Cambridge, MA: MIT Press.
Treitler, L. (Ed.). (1998). Strunk's Source Readings in Music History. New York: Norton.
Watzlawick, P.; Beavin, J.H. & Jackson, D.D. (1967). Pragmatics of Human Communication: A Study of Interactional Patterns, Pathologies, and Paradoxes. New York: Norton.
Weber, M. (1958). The Rational and Social Foundations of Music. New York: Southern Illinois University Press. (Orig. publ. 1921).
Wetherell, M.; Taylor, S. & Yates, S. (Eds.). (2001). Discourse Theory and Practice: A Reader. London: Sage.
Fundref
这项工作没有任何财政支持
技术信息
度量
这篇文章的度量
浏览次数: 36688
对摘要的解读: 25764
PDF下载: 10924
的全部指标 34
浏览次数: 1155463
对摘要的解读: 747665
PDF下载: 407798
被引用
引述 Web of Science
Pueo, Basilio; Sanchez Cid, Manuel. SURROUND SOUND IN AN IMMERSIVE AUDIO-VISUAL ENVIRONMENTS Proposals in the educational field REVISTA ICONO 14-REVISTA CIENTIFICA DE COMUNICACION Y TECNOLOGIAS, 2011.
https://doi.org/10.7195/ri14.v9i2.40
Zhang, Bing; Zhang, Min; Ananos, Elena. Effectiveness of the Auditory and Visual effects of Chinese e-Magazine on the Graduate Students' Reading Process ANALISI-QUADERNS DE COMUNICACIO I CULTURA, 2016.
https://doi.org/10.7238/a.v0i54.2552
Olcina-Sempere, Gustau; Reis, Jorge Jose; Ferreira, Marco;. INTERCULTURAL EDUCATION: MUSIC AS AN INTRUMENT OF SOCIAL COHESION REVISTA DE EDUCACION INCLUSIVA , 2020.
引述 Scopus
目前没有引用这个文件
引述 Google Scholar
目前没有引用这个文件
替代指标
如何引用
Bruhn-Jensen, K. (2010). The sounds of media. An interdisciplinary review of research on sound as communication. [El sonido de los medios]. Comunicar, 34, 15-23. https://doi.org/10.3916/C34-2010-02-01