Ключевые слова

Social networks, cultural practices, digital music, imaginative appropriation, identity building, communicative scenarios

Резюме

Sharing music is a traditional mechanism of cultural sociability, the observation of wich is useful in order to understand the negotiation procedures of sense and identity. In the new digital scene, the act of sharing and offering music shows –along with the obvious purpose of establishing relationships with others as well as making them participate in something pleasant– a desire to spread one’s own personal taste and a will to communicate our one’s identity. Thus, now and then, communicating by means of music and sharing it –as well as giving an opinion on it– are ways of both self-representation and expression of one’s identity, offering others some sort of «musical personality»: another way of being in the world, typical of our era and related to a way of using the products of cultural industry with a personal purpose. This use, however, is not restricted to just expressing identity aspects: we use mass culture products in several ways with different purposes in our everyday life. According to some of these other uses, we will expand the field of the main subject of this article: other ways of sharing music that represent both permitted and non-permitted appropriations of music. We will accomplish this by considering some of the reasons that help getting a better understanding of the cultural task carried out by music (and other cultural products).

Ссылки

Adell, J. (2008). Músicas portátiles: tecnología y evolución del consumo musical, en De Aguilera, M.; Adell, J. & Sedeño, A. (Eds.). Comunicación y música II. Tecnologías y audiencias. Barcelona: UOC Press; 27-73.

Link Google Scholar

Appadurai, A. (1996). Modernity at Large. Cultural Dimensions of Globalization. Minneapolis, Minesota (USA): University of Minnesota Press.

Link Google Scholar

Berger, P. & Luckmann, T. (1997). Modernidad, pluralismo y crisis de sentido. La orientación del hombre moderno. Barcelona: Paidós.

Link Google Scholar

Beuscart, J.S. (2007). Les transformations de l’intermédiation musicale. La construction de l’offre commerciale de musique en ligne en France. Réseaux, 25; 141-142; 143-176.

Link Google Scholar

Brown, B. & Sallen, A. (2006). Sharing and Listening to Music, in O’Hara, K. & Brown, B. (Eds.). Consuming Music Together: Social and Collaborative Aspects of Music Consumption Technologies. Netherlands: Springer; 41-60.

Link Google Scholar

Bueno, G. (1996). El mito de la cultura. Barcelona: Prensa Ibérica.

Link Google Scholar

Castells, M. (1998). La era de la información. Economía, sociedad y cultura, 2. El poder de la identidad. Madrid: Alianza.

Link Google Scholar

De Aguilera, M. (2004). Tomar la cultura popular en serio. Comunicación, 2; 147-158.

Link Google Scholar

De Aguilera, M. (2008). El encuentro entre la comunicación y la música: razones, criterios, enfoques, en De Aguilera, M.; Adell, J. & Sedeño, A. (Eds.). Comunicación y música, I. Lenguaje y medios. Barcelona: UOC Press; 9-47.

Link Google Scholar

De Aguilera, M. y Mañas, S. (2001). Atravesando el espejo. Mediaciones tecnológicas y discursivas en las nuevas obras audiovisuales: el caso de los videojuegos. Comunicar, 17: 79-85.

Link Google Scholar

DeNora, T. (2000). Music in Everyday Life. Cambridge (UK): Cambridge University Press.

Link DOI | Link Google Scholar

Frith, S. (1996). Performing Rites: on the Value of Popular Music. Oxford (UK): Oxford University Press.

Link Google Scholar

Giddens, A. (1995) Modernidad e identidad del yo. (El yo y la sociedad en la época contemporánea). Barcelona: Península.

Link Google Scholar

Hattersley, M. (2009). Spotify could Kill iTunes en Macworld.co.uk. (www.macworld.co.uk/blogs/index.cfm?blogid=2&entryid=605) (19-08-09).

Link Google Scholar

Hesmondhalgh, D. (2008). Towards a Critical Understanding of Music, Emotion and Self-identity. Consumption Markets & Culture, 4; 329-343, (http://pdfserve.informaworld.com/180998_751315987_905615663.pdf) (04-08-09).

Link Google Scholar

IFPI (2009). Digital Music Report 2009. (www.ifpi.org/content/library/DMR2009.pdf) (17-08-09).

Link Google Scholar

Kelly, K. (2007). Technology Wants to Be Free. The Technium. (www.kk.org/thetechnium/archives/2007/11/technology_want.php) (20-11-07).

Link Google Scholar

Leonhart, G. (2008). Music 2.0. Hämeenlinna, Finland: Batmosphere.

Link Google Scholar

Lull, J. (2000). Media, Communication, Culture. A global approach. Nueva York: Columbia University Press.

Link Google Scholar

O’Hara, K. & Brown, B. (2006). Consuming Music Together: Introduction and Overview, en O’Hara, K. & Brown, B. (Eds.). Consuming Music Together: Social and Collaborative Aspects of Music Consumption Technologies. Netherlands: Springer; 7-22.

Link Google Scholar

Roca Vidal, F. (2004). Creatividad y comunicación musical desde las nuevas tecnologías. Comunicar, 23; 31-36.

Link Google Scholar

Voida, A.; Grinter, R. & Ducheneaut, N. (2006). Social Practices Around iTunes, en O’Hara, K. & Brown, B. (Eds.). Consuming Music Together: Social and Collaborative Aspects of Music Consumption Technologies, Netherlands: Springer; 61-88.

Link Google Scholar

Willis, P. (1990). Common Culture. Boulder, Westview Press.

Link Google Scholar

Fundref

Эта работа не имеет финансовой поддержки

Crossmark

Техническая спецификация

метрика

Метрики этой статьи

Просмотров: 48000

Ознакомление с аннотациями: 33951

загрузки PDF-файлов: 14049

Полные метрики 34

Просмотров: 1067668

Ознакомление с аннотациями: 668785

загрузки PDF-файлов: 398883

Цитируется

Цитаты в Web of Science

Garcia Jimenez, Antonio; Catalina Garcia, Beatriz; Lopez de Ayala, Maria Cruz. ADOLESCENTS AND YOUTUBE: CREATION, PARTICIPATION AND CONSUMPTION PRISMA SOCIAL, 2016.

Link Google Scholar

Gertrudix, Felipe; Gertrudix, Manuel. Music in Virtual Worlds. Study on the Representation Spaces COMUNICAR, 2012.

https://doi.org/10.3916/C38-2012-03-09

Cuesta M, Oscar Julian. Music Consumption: Tensions Between Youth Music Stations and Mobile Devices CUADERNOS INFO, 2012.

Link Google Scholar

Borges-Rey, Eddy L.. Buhoneros' reggaeton: Emerging Venezuelan musical practices through mediations in the informal sociopolitical ecosystem INTERNATIONAL JOURNAL OF MEDIA & CULTURAL POLITICS, 2011.

https://doi.org/10.1386/mcp.6.3.295_1

Olcina-Sempere, Gustau; Reis, Jorge Jose; Ferreira, Marco;. INTERCULTURAL EDUCATION: MUSIC AS AN INTRUMENT OF SOCIAL COHESION REVISTA DE EDUCACION INCLUSIVA , 2020.

Link Google Scholar

Цитаты в Scopus

Gértrudix-Barrio, F., Gértrudix-Barrio, M.. Music in virtual worlds. Study on the representation spaces), Comunicar, .

https://doi.org/10.3916/C38-2012-03-09

Jiménez, A.G., García, B.C., De Ayala, M.C.L.. Adolescents, Youtube: Creation, participation, consumption), Prisma Social, .

Link Google Scholar

Valley, S., Lynch-Stieglitz, J., Marchitto, T.M.. Timing of Deglacial AMOC Variability From a High-Resolution Seawater Cadmium Reconstruction), Paleoceanography, .

https://doi.org/10.1002/2017PA003099

Цитаты в Google Scholar

В настоящее время нет ссылок на этот документ

Скачать

Альтернативные метрики

Как процитировать

de-Aguilera-Moyano, M., Adell-Pitarch, J., & Borges-Rey, E. (2010). Imaginative appropriations of music in the new communicative scenarios. [Apropiaciones imaginativas de la música en los nuevos escenarios comunicativos]. Comunicar, 34, 35-44. https://doi.org/10.3916/C34-2010-02-03

Доля

           

Oxbridge Publishing House

4 White House Way

B91 1SE Sollihul United Kingdom

Администрация

Редакция

Creative Commons

Данный сайт использует куки-файлы для получения статистических данных о навигации своих пользователей. Если вы продолжите просмотр, мы считаем, что вы принимаете его использование. +info X