Cinematographic analysis of «La dolce vita»: the twelve heresies

 Vitor Reia-Baptista, Faro (葡萄牙)

https://doi.org/10.3916/C19-2002-27

关键词

Cinema, cinematographic analysis, values, interpretation keys, ethic, music, aesthetic

摘要

The author analyses how Federico Fellini represents in «La dolce vita» the social, cultural, sexual and politic characteristics of a generation who has grown up in a strict latin and catholic context. Ethic, aesthetic and cinematographic keys of this film are analysed by the author using five dimensions. These keys are called by him the «twelve heresies» of «La dolce vita».

参考资料

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