Ключевые слова

Aesthetics, narratives, producers, audiences

Резюме

We can´t only be consumers, we must be citizens. This essay argues how audiences should become producers of messages that represent a culture of resistance, from its narrative and aesthetics needs, in order to find a place of sense in a world of screens. Hence, new audiences stop being just consumers to get the status of producers of their own screens. This is a contemporary, political, cultural, technological and communicative possibility. Today, we all have to become producers.

Ссылки

Sartori, G. (1998): Homo videns. México, Taurus.

Link Google Scholar

Fundref

Эта работа не имеет финансовой поддержки

Crossmark

Техническая спецификация

метрика

Метрики этой статьи

Просмотров: 33199

Ознакомление с аннотациями: 27850

загрузки PDF-файлов: 5349

Полные метрики 30

Просмотров: 880446

Ознакомление с аннотациями: 731151

загрузки PDF-файлов: 149295

Цитируется

Цитаты в Web of Science

Rincon; Omar;. Narratives of expanded entertainment CHASQUI-REVISTA LATINOAMERICANA DE COMUNICACION , 2019.

Link Google Scholar

Atarama-Rojas, Tomas; Requena Zapata, Selene. Transmedia Storytelling: Analyst's of the Participation of the Audience in the Series 13 Reasons Why for the Approach to the Subject of Suicide FONSECA-JOURNAL OF COMMUNICATION, 2018.

https://doi.org/10.14201/fjc201817193213

Lago Vazquez, Diana. The Usefulness of Social Networks as Research Tools for the Media Advances in Intelligent Systems and Computing, 2017.

https://doi.org/10.1007/978-3-319-46068-0_52

Gomez Garcia, Rodrigo; Trere, Emiliano. The #YoSoy132 movement and the struggle for media democratization in Mexico CONVERGENCE-THE INTERNATIONAL JOURNAL OF RESEARCH INTO NEW MEDIA TECHNOLOGIES, 2014.

https://doi.org/10.1177/1354856514541744

Quintas-Froufe, Natalia; Gonzalez-Neira, Ana. Active Audiences: Social Audience Participation in Television COMUNICAR, 2014.

https://doi.org/10.3916/C43-2014-08

Aguaded Gomez, Jose Ignacio; Sanchez Carrero, Jacqueline. The digital empowerment of children and youth through audiovisual production ADCOMUNICA-REVISTA CIENTIFICA DE ESTRATEGIAS TENDENCIAS E INNOVACION EN COMMUNICACION, 2013.

https://doi.org/10.6035/2174-0992.2013.5.11

Vega, Jair; Lafaurie, Andrea. A Children's Observatory of Television: "Observar TV", a Space for Dialogue between Children COMUNICAR, 2013.

https://doi.org/10.3916/C40-2013-03-05

Flores Figueroa; José de Jesús;. Anagramas -Rumbos y sentidos de la comunicación- , 2018.

https://doi.org/10.22395/angr.v17n33a6

Roncallo-Dow, Sergio; Arango-Forero, Germán;. Signo y Pensamiento , 2017.

https://doi.org/10.11144/Javeriana.syp36-70.idaf

Цитаты в Scopus

Vega-Casanova, J., Lafaurie-Molina, A.. A children's observatory of television: «Observar TV», a space for dialogue between children), Comunicar, .

https://doi.org/10.3916/C40-2013-03-05

Quintas-Froufe, N., González-Neira, A.. Active audiences: Social audience participation in television), Comunicar, .

https://doi.org/10.3916/C43-2014-08

García, R.G., Treré, E.. The #YoSoy132 movement, the struggle for media democratization in Mexico), Convergence, .

https://doi.org/10.1177/1354856514541744

Roncallo-Dow, S., Arango-Forero, G.. Introducing three dimensions of Audience fragmentation), Signo y Pensamiento, .

https://doi.org/10.11144/Javeriana.syp36-70.idaf

Lago Vázquez, D.. The usefulness of social networks as research tools for the media), Advances in Intelligent Systems and Computing, .

https://doi.org/10.1007/978-3-319-46068-0_52

Vázquez-Barrio, T., Torrecillas-Lacave, T., Suárez-álvarez, R. . Perception of television in an audio-visual ecosystem showing digital convergence | [Percepción sobre la televisión en el ecosistema audiovisual de la convergencia digital]), Profesional de la Informacion, .

https://doi.org/10.3145/epi.2020.nov.40

Цитаты в Google Scholar

В настоящее время нет ссылок на этот документ

Скачать

Альтернативные метрики

Как процитировать

Rincón, O. (2008). No more audiences, we all become producers. [No más audiencias, todos devenimos productores]. Comunicar, 30, 93-98. https://doi.org/10.3916/c30-2008-01-014

Доля

           

Oxbridge Publishing House

4 White House Way

B91 1SE Sollihul United Kingdom

Администрация

Редакция

Creative Commons

Данный сайт использует куки-файлы для получения статистических данных о навигации своих пользователей. Если вы продолжите просмотр, мы считаем, что вы принимаете его использование. +info X