Ключевые слова
Artivism, participation, drama, postdrama, Andean culture, post-theater, identity
Резюме
This paper results from a neo-functionalist constructivist theory as the one allowing us to understand that dialogue processes and social participation build culture with a dynamic and civic vision, as opposed to organic and much more conservative visions. The main objective is to create a panel of analysis of plays from the point of view of drama (sense) and post-drama (nonsense), introducing cross-cutting concepts such as identity, interculturality and participation. The second objective, and as a way to validate these panels, is to analyze in a comparative way the similarities and differences of two types of post-theater manifestations in Spanish, Europe and Andean theater, particularly in Ecuador. This descriptive and qualitative research applies the analytical-synthetic method to approach the study of seven plays of dramatic and postdramatic nature. As a result, the usefulness of these panels developed to carry out this type of study on the elements of order and chaos, as well as to understand internal and external participation, is validated. As a general conclusion, it is observed that the current Ecuadorian plays respond to a post-drama culture that uses elements of the unitary dramatic stage and differential factors of Andean character.
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Техническая спецификация
Получила: 27-02-2018
пересмотренный: 18-03-2018
Принятый: 18-05-2018
OnlineFirst: 15-07-2018
Дата публикации: 01-10-2018
Время пересмотра статьи: 19 дней | Среднее время пересмотра вопроса 57: 38 дней
Время принятия статьи: 79 дней | Время приема Номер 57: 76 дней
Время редактирования препринта: 170 дней | Выпуск препринта среднего времени редактирования 57: 177 дней
Время редактирования статьи: 215 дней | Среднее время редактирования журнала 57: 222 дней
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Цитируется
Цитаты в Web of Science
Orosa, Miguel A.; Lema, Daqui; Galarza-Ligna, Viviana;. Ecuador: the popular liturgical and festive origins of the Latin American indigenous post-drama and its specific conflict Comparisons with the Spanish and European post-drama 2020 15TH IBERIAN CONFERENCE ON INFORMATION SYSTEMS AND TECHNOLOGIES (CISTI'2020) , 2020.
Orosa, Miguel A.; Galarza-Ligna, Viviana; Rocha, A; Ferras, C; Marin, CEM; Garcia, VHM; . Latin American Indigenous Post-drama Architectures from an Andean Perspective Revisited INFORMATION TECHNOLOGY AND SYSTEMS, ICITS 2020, 2020.
Цитаты в Scopus
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Альтернативные метрики
Как процитировать
Orosa-Roldán, M., & López-López, P. (2018). Postdrama culture in Ecuador and Spain: Methodological framework and comparative study. [La cultura del posdrama en Ecuador y España: Desarrollo metodológico y estudio comparado]. Comunicar, 57, 39-47. https://doi.org/10.3916/C57-2018-04