Keywords
Image, distrustful view, (audio)visual lie, photography, didactic resources.
Abstract
The text suggests distrust as a basic attitude when approaching audiovisual aids in general and image in particular. Then –as an exercise of distrustful view– it proposes to take advantage of the pedagogic power of the photographs of this master of suspicion called Joan Fontcuberta.
References
BERGER, J. (1998): «De la resistencia de las cosas pintadas», en Pensamiento crítico versus pensamiento único. Madrid; Debate; 264.
FONTCUBERTA, J. (1997): El beso de Judas. Fotografía y verdad. Barcelona, Gustavo Gili; 15.
FONTCUBERTA, J. (1997): op. cit.; 11.
FONTCUBERTA, J. (1997): op. cit.; 184.
FONTCUBERTA, J. (1998): «Fauna: concepto y génesis» dentro de Ciencia y fricción. Fotografía, naturaleza y artificio. Murcia, Mestizo; 106.
JIMÉNEZ, J. (2000): «La huella de las sirenas», en El Mundo, 25 de noviembre.
RAMONET, I. (1998): La tiranía de la comunicación. Madrid, Debate; 192.
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Alfonso-Escuder, P. (2002). Reflections about the works of Joan Fontcuberta. [La mirada desconfiada: una aproximación a la obra de Joan Fontcuberta]. Comunicar, 19, 152-155. https://doi.org/10.3916/C19-2002-26