Keywords
Musical performance, musical expression, emotion transmission
Abstract
Through the practice experience as violin´s performer, in this paper the author shows the communicative intention of music and emphasizes the expressive and emotional feelings that musicians feel and perceive through the music they perform, transmitting their sensations to the audience. With a very personal vision, she shows how the communicative function of performers has always existed along the history of music, and she remembers the most representative figures of all times, as performers and as expressive creators.
References
CORREDOR, J.M. (1955): Conversation avec Pablo Casals. París, Albin Michel.
HOPPENOT, D. (1981): Le violon intérieur. Van de Velde.
MENUHIN, Y. (1980): Les variations sans thème. París, Buchet.
VERDEAU, J.; PAILLES, B. y PLOZZA, M. P. (1995): La troisième oreille et la pensée musicale. París, Fuzeau
Fundref
This work has no financial support
Technical information
Metrics
Metrics of this article
Views: 38960
Abstract readings: 32230
PDF downloads: 6730
Full metrics of Comunicar 23
Views: 1182433
Abstract readings: 1010278
PDF downloads: 172155
Cited by

Cites in Web of Science
Currently there are no citations to this document

Cites in Scopus
Currently there are no citations to this document

Cites in Google Scholar
Currently there are no citations to this document
Alternative metrics
How to cite
Glowacka-Pitet, D. (2004). Music and its performance like a vehicle of expression and communication. [La música y su interpretación como vehículo de expresión y comunicación]. Comunicar, 23, 57-60. https://doi.org/10.3916/C23-2004-10