Keywords

Labor, social protocols, popularity, social networking, musician

Abstract

Over the recent years, MySpace has been vital to fostering the growth of independent musicians’ followings and have played critical roles in helping mainstream artists maintain fan communities. The popularity of MySpace has been accompanied by the establishment of social protocols which allow musicians to network with one another in an efficient and successful way. These protocols have inspired the publication of various books (such as «MySpace Music Profit Monster!: Proven Online Marketing Stra - tegies!» by Nicky Kalliongis devoted to providing tips and strategies for musicians. While some of these protocols pertain to being savvy with the technological aspect of MySpace, other protocols are directly related to learning a particular manner to network on MySpace. Furthermore, these practices are considered a serious work as they require a lot of time and networking skills to achieve a certain level of success, i.e. increasing the number of friends on one’s network. Thus, this article examines the emerging social protocols on MySpace as a form of affective and immaterial labor. The author argues that the implementation of various tips as provided by MySpace expert will possibly have a regressive effect on musicians’ social networking practices as these could become a standardized and repetitive practice. As a whole, this article traces the evolution of MySpace, especially in regards to the decreasing popularity of the site as a current trend.

References

Ayers, M.D. (2009). Lily Allen Welcomes New Album at Myspace Show. Billboard. (www.billboard.com/bbcom/news/lily-allen-welcomes-new-album-at-myspace-1003940436.story) (01-02-09).

Link Google Scholar

Banks, J. & Humphreys, S. (2008). The Labour of User Co-creators: Emergent Social Network Markets? Convergence: The International Journal of Research into New Media Technologies, 1 4; 401-418.

Link DOI | Link Google Scholar

Bruno, A. (2009). Trent Reznor Quits Social Networking. Billboard. (www.billboard.com/news#/news/trent-reznor-quits-social-networking-1003983835.story) (07-18-09).

Link Google Scholar

Concepcion, M. (2008). Exclusive: Millian Signs with Myspace Records. Billboard. (www.billboard.com/bbcom/esearch/article_display.jsp?vnu_content_id=1003852976) (05-10-09).

Link Google Scholar

Contactmusic (2007). James blunt-warner’ to sell Blunt album on Myspace. (www.contactmusic.com/news.nsf/article/warner%20to%20sell%20blunt%20album%20on%20myspace_1044023) (05-11-09).

Link Google Scholar

Gill, R. & Pratt, A. (2008). In the Social Factory? Immaterial Labour, Preciarious Cultural Work. Theory, Culture & Society, 25; 1-30.

Link DOI | Link Google Scholar

Gitelman, L. (2006). Always already New: Media, History and the Data of Culture. Cambridge: MIT press.

Link Google Scholar

Hardt M. & Negri, A. (2000). Empire. Cambridge, Mass: Harvard University Press.

Link Google Scholar

Hesmondhalgh, D. & Baker, S. (2008). Creative Work and Emotional Labour in the Television Industry. Theory, Culture & Society, 25; 97-118.

Link DOI | Link Google Scholar

Jag, N. (2008). Myspace Marketing: the Promotional Revolution the 2nd edition. Charleston: Booksurge.

Link Google Scholar

Jenkins, H. (2006). Introduction. «Worship at the Altar of Convergence»: A New Paradigm for Understanding Media Change. Convergence culture. New York & London: New York University Press; 1-24.

Link Google Scholar

Kalliongis, N. (2008). Myspace Music Profit Monster!: Proven On-line Marketing Strategies! New York: MTV press.

Link Google Scholar

Lazzarato, M. (1996). Immaterial Labor. (www.generation-online.org/c/fcimmateriallabour3.htm) (07-02-09).

Link Google Scholar

Nakashima, R. (2009). Myspace Layoffs: Slashing Workforce 30 %. Huffingtonpost. (www.huffingtonpost.com/2009/06/16/myspace-layoffs-slashing-_n_216330.html) (07-01-09).

Link Google Scholar

Riely, D. (2007). Rumors of the decline of myspace are exaggerated. TechCruch. (www.techcrunch.com/2007/06/20/rumors-of-the-decline-of-myspace-are-exaggerated/) (05-12-09).

Link Google Scholar

Self, W. (2009). Colbie Caillat’s insight into her Myspace success. CMT news. (www.cmt.com/news/country-music/1606830/colbie-caillats-insight-into-her-myspace-success.jhtml) (06-30-09).

Link Google Scholar

Smith, D. (2009). Myspace shrinks as Facebook, Twitter and Bebo grabs its user. (www.guardian.co.uk/technology/2009/mar/29/myspace-facebook-bebo-twitter) (06-30-09).

Link Google Scholar

Suhr, H.C. (2008). The Role of Intermediaries in the Consecration of Arts on Myspace.com. International Journal of Media and Cultural Politics, 4; 259-263.

Link DOI | Link Google Scholar

Suhr, H.C. (2009). Understanding the Paradoxes in the Artistic Fields of Myspace: The Problematization of Values and Popularity in Convergence Culture. New Media and Society, 11;179-198.

Link DOI | Link Google Scholar

Thompson, P. (2005). Foundation and Empire: A Critique on Hardt and Negri. Capital and Class, 86; 73-98.

Link DOI | Link Google Scholar

Vincent, F. (2007). Myspace for Musicians. Boston: Course Technology PTR

Link Google Scholar

Weber, S. (2007). Plug Your Business! Marketing on Myspace, Youtube, Blogs, Podcasts and other 2.0. Social Network. Weberbooks (on-line publisher, city unknown).

Link Google Scholar

Fundref

This work has no financial support

Crossmark

Technical information

Metrics

Metrics of this article

Views: 30717

Abstract readings: 24436

PDF downloads: 6281

Full metrics of Comunicar 34

Views: 1182952

Abstract readings: 771819

PDF downloads: 411133

Cited by

Cites in Web of Science

Suhr, HC. Evaluation and Credentialing in Digital Music Communities: Benefits and Challenges for Learning and Assessment John D and Catherine T MacArthur Foundation Reports on Digital Media and Learning, 2014.

Link Google Scholar

Suhr, Hiesun Cecilia. Unpacking the Shifting Landscape of Music Evaluation in Indaba Music Contests Routledge Studies in New Media and Cyberculture, 2015.

Link Google Scholar

Cites in Scopus

Espuny Vidal, C., González Martínez, J., Lleixà Fortuño, M., Gisbert Cervera, M.. University students' attitudes towards, expectations of the educational use of social networks), Revista de Universidad y Sociedad del Conocimiento, .

https://doi.org/10.7238/rusc.v8i1.839

Suhr, H.C.. Unpacking the shifting landscape of music evaluation in Indaba music contests), Online Evaluation of Creativity, the Arts, .

https://doi.org/10.4324/9781315795836

Cites in Google Scholar

Currently there are no citations to this document

Download

Alternative metrics

How to cite

Suhr, H. (2010). Understanding the emergence of social protocols on MySpace: Impact and its ramifications. [Comprendiendo la aparición de los protocolos sociales en MySpace: Impacto y ramificaciones]. Comunicar, 34, 45-53. https://doi.org/10.3916/C34-2010-02-04

Share

           

Oxbridge Publishing House

4 White House Way

B91 1SE Sollihul United Kingdom

Administration

Editorial office

Creative Commons

This website uses cookies to obtain statistical data on the navigation of its users. If you continue to browse we consider that you accept its use. +info X